1,175 Royalty-Free Audio Tracks for "Modular Delay"

Simple experiment reorganizing the onesoundperday2018 january soundpack qu-bit nebulae 2 module and a bunch of modulation. Here are the original sounds:https://freesound. Org/people/cabled_mess/packs/27630/.

Electronic minute no 31 - scales with fnattyep down to cscales made with envelope generatorsonce in a while they get fnatt5 envelope generators in use. Don't miss it>>> there is a bonus sound at the end!!!basically the same patch! but on acid :-). Evaluation of patch/soundone cycle is - not that longonly short sounds - yep, good in this caseamplitude variation - well not muchpitch variation - controlled by envelopetimbre variation - nomusical value - maybe, but not the fnatt partentertaining - ambient bleeps ad bloops?.

What i was listening to while cleaning toilets. . .

This is a lead synth sound i made for the xs24 on the nord modular g2 and universal audio uad emulations of the neve eqs, ln1176 limiter, 88rs, fairchild, and pultec eqs. Also used the joe meek eq from protools.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

The three parts are following the sam chaotic lfo.

Ff chaos test conditions:cv in from nlc jerkoff. Square wave in from lfo, 1hz. 3 vcos tuned to 130,8hz and one "strange sound". Cv in on vcos are attenuated, about 50%. Gate 1 and cv 1 to vco pan leftgate 2 and cv 2 to vco pan rightgate 3 to vco pan centertrigger to "strange sound" pan center. Sound 1 - cv min and rate minsound 2 - cv max and rate minsound 3 - cv min and rate maxsound 4 - cv max and rate maxsound 5 - cv at 50% and rate at 50%sound 6 - jerkoff to cv in on lfo. Vco 3 gets cv from jerkoff - chaos.

Based on the logistic equation. . .

A reversed piece heavy on the phaser. Think of receiving a sound from space only to realize the sound is playing backwards.

I used this sound years ago as an opener to one of my tracks. Very synthy and electronic sounding. Made with a roland jv-1000.

Dripping sink faucet with some reverb and a slight delay.

Reversed impact with pitch envelope & reverb/delay.

Delay effect with some differnt delay times. Useful for dubstep or anything else. Created in music studio.

Fingers snapped in a thight hotel room that gives that eerie natural short delay. Recorded with a samsung smartphone.

A drum loop i made for fun. It seemed pretty good as a basis for experimentation so i made the following track with it:. Https://soundcloud. Com/hugofski/delirium. The delay really makes it pop, i think. Feel free to use it for anything.

Short clip of a casio sk-8 demo being played through pedals (boss me-30 on pitch shifter, alesis nanoverb on non-linear (reverse) reverb) and possibly others. Has an interesting blurred sound. . . Possibly good for looping. . .

Percussice clip processed with delay modulation feedback.

A brief rising tone with added delay. This is the first version of this effect, with a fairly quick delay speed. A very "astroboy"-esque effect.

A brief rising tone with added delay. This is the second version of this effect, with a slower delay speed. A very "astroboy"-esque style effect.

Little melody with one synthesizer and effect.

Came up with this little piano thing. It's loopable, it's emotional, it's whatever you want it to be.

Sound-processing electroacoustic spectral-processing delay granular-synthesis game.

Water sound-processing electroacoustic filter delay resonator granular-synthesis.

Heavy rotary type of effect with a some mostly laid back licks. Probably better broken up in smaller chunks.

A creaky chair in my studio + delay. Skrzypiące krzesło w moim studio + delay.

Hard compact wooden ball pluck with slight comeback (ground jumping off echo). Synthesized in audacity. Distance from listener: ~21cm.

In this patch i’m using doepfer a-160 clock divider as a sub bas generator. Square wave out from doepfer a-110 to trig in on a-160. I guess a square wave makes it easier for a-160? /4, in this patch, out to uvcf. The sawtooth from a-110 to another nice filter - the wasp filter. The transient modules 8s sequencer gives us an 8 note sequence. A copy of the sawtooth melody is going to an analog delay stomp box from joyo and back to the synth. Some reverb from a-199 sprv, spring reverb. Https://www. Youtube. Com/watch?v=ssrlq42phvi.

A sequence created without a sequencer. Made on an analog modular synth.

Again polyrhythmic. . . But slow. Exploring with ring modulation.

Exploring with ring modulation.

Polyrhythmic adventure with a bassdrum. Exploring with ring modulation.

Strange loop made on modular synth. Unedited.

Using an cvlfo in a feedbackloop creating very "chaotic" cv!.

Sound experiment made with modular synth.

Excerpt from longer krell patch recording.

A drone made with a modular synth.

Sold a module. Now there is room fort dirt again. The name is well-deserved. Dirt is a filter module from synthrotek. It's so strange that i wonder if the person who built it got it right. . . It's a kit. But i bought the module second hand.

As the title says. . . Playing around. Added a beep and a sample. Works as a loop if anyone cant get enough :-d.

5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.

A sound i made with my modular synthwhat is it. . . ?.

The sound is going through zoom ms-70cdr. I use the "particer" reverb program. It acts like a compressor and limiter too. . . Kills the dynamics of the modular. Nice anyway - or not. . . And i use the ladik r-330 reverb too.

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

Cross fm modulated filters performing a painful dance on your eardrums. This is noise but with a musical and rhythmic trace. I keep coming back to my vcfs…?.

Doepfer a-100 modular system recorded with a zoom h-5. Cut and transcoded with audacity.

A sound made usingalienxxx sound http://freesound. Org/people/alienxxx/sounds/343864/and my (gis_sweden) sound https://www. Freesound. Org/people/gis_sweden/sounds/344087/.

Thought i wanted to explore fm-modulation a bit further. The sound is going through my ladik reverb. The vco i'm fm-modulate is the intellijel μvcf. A filter really. . . No editing in audacity. This is the result. Sorry for long sound. . .

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).